support from the worlds finest djs and artists such as pier bucci, argenis brito, butane, maetrik, gregory shiff, ambivalent, and id, barem, and noah pred.
this four-track vinyl is an absolute must have for those who love to play a chugging, driving style of minimal and techno. produced by barcelonas pablo bolivar, >looking for a shape<, pushes the depth and groove that he is known for, but in a more aggressive yet subtle way. the original doesnt allow one to breath with constant changes in percussion and amazing flow. his >phase two< track will annihilate the speakers in clubs with deep bass and is a sharp, tightly wound percussive masterpiece.
the remixes offered are by monkey brothers, who take a very different turn with the track and offer a soft vocal and is perfect for the dance-floor as it delivers a strong pop for those later in the night moments. finally, the last track on the record is hidden recordings owner deepak sharma + dieter krauses interpretation of the original. they have created a more slowed down, druggy, groovier version of the original. its not quite as smooth as the original and thats a good thing as the extra glitch is great for those who need more punch in their sets. there is something in this release for all kinds of djs.

>perlmutt< supported by: robag wruhme, timo mass, gregor tresher, chris liebing, dave seamann, paul woolford, john digweed, alexi delano, edu imbernon! dominik eulbergs new traum release >perlmutt< holds two new songs. after >sansula< eulberg has taken another step towards composing exceptional bitter sweet melodies as we can witness in >daten-Übertragungs-küsschen<. his fairylike romantic and gentle melodies are as light as snow flakes and say goodbye to realism. in contrast to the a-side >schnertuppen-regen< keeps an eye on the clubby side of things with rectangular saw tooth sequences, dubby rhythms and back and forth sliding sequences that seem to stem from ancient string instruments and show herewith traces of popular german folk. all of this evokes in us the beautiful and early >acoustic window< phase of mr richard james.

new ep from detroit techno and graphics legend alan oldham.
following up the more experimental >johnny gambit 01: the prodigal son< graphic novel/soundtrack (pure18lp), alan d. oldham a.k.a. dj t-1000 gets back to basics with the >blaster ep<, phase two of the pure sonik records restart.
>blaster< kicks off the proceedings. a dirty, tracky, and bitcrushed statement of intent, >blaster< is a 130 bpm love letter to all the hard techno fans in germany and spain who have kept the faith and supported dj t-1000s international dates all these years, and the definitive statement that pure sonik records is back!
on the b-side, oldham goes electro with >i rock shit everyday<, a dark, dirty, detroit electro-groove inspired by one of his all-time favorite detroit electro acts, ultradyne. the ep closer, the lo-fi >machines<, is the sound of your laptop, tv, and coffee maker conspiring against you in dial-up modem code. what happens when your microwave starts thinking it can cook better than you? you better watch out...

2002 release with remixes by simex, my grandma from detroit, blacksoul and maxim.

our man from italy hits base again! he was the first house-agent that weÆve send out on a pure digital upon you mission. he mastered it with such bravory that our headquater see it worthwhile to hit session two on vinyl. in phase a1 he successfully recovered a hole row of bad house replicates under the code name ôshadittzö to bring back the good taste. ôback from the middleö is the motto in phase a2, essentially contributing the bust of a few lousy tech-house bosses that where about to sell scuzzy loops to minors. his work was very useful for us and an easy seizing for mr. superbrain tolga fidan who could complete the mission as our remix profiler.

vertex is an exploration in two parts. the a sideÆs vertex and the locus of points explore the trackier side of tejadaÆs work meant mostly for vinyl play. both tracks make good use of strong wavetable chorded sounds, which are modulated throughout. the rhythms of the chords make up the identity of the track with elements coming in and out. vertex showcases a more layered approach to take the track from a percussive to a smooth feel. the locus of points follows more of a straight up techno approach sounding simple and effective. the b-side explores the more melodic and arrangement based side of tejadaÆs work. liquid mirror is a track rich in layers. 3 modular synth layers provide the initial modulating melodic ground work which is then complimented by lush tejada keyboard work bringing the song to itÆs apex and then reducing it back to itÆs start all while backed by tejadaÆs powerful drum work. p.l.l. (which stands for phase locked loop, a process explored here) continues this theme in a less obvious way. modular synths and drum tracks start things off while midway a modulating melodic phrase is introduced playing back a bit differently every time. four songs in all showcasing tejadaÆs simple and complex approach to dance music.

feat dancefloor mixes by herve, armand van helden, filthy duke, john b, mogwai, gold panda etc....

3rd and final part of the maimi 09 samplers sees us return to the classics. with vocalist kathy brown being featured on the new version of hulk the shapeshifters deliver a superb mix of danny howells dusk till dawn future classics sunshyne from james talk & ridney & lee cabreras v funky voodoo love round things off in fine style. all in all a must for any dj

hot n here gives you the scent of humid prime time, sweat - darkness cut up buy flashing lights. uplifting deepens first glance of upcomming peaks is the leading role of this decent track, driven by its restless baseline. you need a little bit of a break? or another sound that keeps you up and running without being to aggressive? well heres the secret, you are >not alone< finally it may be time to relax to phase out. >timetable< can give you what you demand in such case. we want to lour you to spend whats left of your energy and reward you with this musical cotton bed.

likely ep is tims first release on tiefschwarzs souvenir label. lead track alike sounds like ivan smagghe jamming with richie hawtin in a warehouse rave in london, skirting a line between futuristic tech house and discerning electro. a live bassline holds down the groove as a trickling bleepy melody develops throughout the track. as more and more layers of elaborate sonic trickery are laid down, a driving snare jacks out the groove further before a series of effects laden breakdowns tighten the tension further and further. cowbells take the second phase of the track ever taughter before the groove emerges into a stabbing hook and pulsating synth noises that drive the dancefloor into blissed out oblivion. subtle vocals tease the ears in the background of the final strung out breakdown, never quite dominating the tune before the jacking bass and kick drop back in. ‘unlike shares a similar vibe for mixing live instruments with plug in madness. live sounding bassline and guitar lines open the track and roll out the groove before the main synth hook takes over. as the track rolls in and out of its breakdowns it lurches between reverb heavy, bleepy chaos and futuristic rhythms. think depeche mode writing an experimental instrumental on the moon in 2012 and youre halfway there. like many french artists these days tim lives and works in london and also collaborates with fellow frenchies ivan smagghe and dante eprom. he first caught the attention of vinyl sleuths with his excellent remix of db (8)s future now in 2004 and now runs his own label marketing music as well as pushing the boundaries of spacey electro flavoured tech house with his own solo material.

side a brings the original sound of chicago acid sharply back into focus, subtly reusing the elements that made those records so special whilst bringing the sound up to date with modern production techniques and banging drums whilst maintaining the wigged out alien sounds of the time- for fans of everyone from todd n tadd to eddie fowlkes to sleep archive. the flip side brings a truly amazing track from rei loci again- playing with all manner of spaced out fx laden elements, and underpinned by the subtle interplay between machines- dreamlike, deep, intense and epic in all the right sense of those words this track sees rei moving into a more mature and complete phase in his production

played by: karotte, mathias kaden, sebo k, stefan goldmann... franklins early musical roots began with a taiwan drumset and a hohner organ. after some training years under the influence of metal, jazz, 70sprog/rock and live perfomances as a versatile drummer his transition to electronic music began with an amiga 500 computer. the trackermusic of this machine lead him to the early techno music of the 90s and early production experiments in his fathers home studio. first releases followed in 1995 to 96 on the label fusion records (w/ 303 nation member, patrick vauillaume). later he released as tichy on various frankfurt techno labels until at the end of the 90s his search for inspiration brought him to a very experimental production phase without the 4 to the floor presetting. from this he developed his distinctive trademark sound with straight grooves and frisky sound design. meanwhile franklin was gaining more international recognition with releases on well-known labels such as trapez ltd, karmarouge noir, einmaleins musik and treibstoff. his singles entered the charts of the german groove magazine, german dance charts and the charts of djs worldwide. after his last release on resopal red he is coming up with his debut on leena music.

limited to 500 copies on coloured vinyl !!! the mysterious intrusion project (feat. on echospace 007) emerges once again and delivers another epic release. throughout the original mix of >tswana dub< you find smooth textured pads and a bassline even the mighty king tubby would surrender to. the melodies evolve in slow motion over time as the synth hits open and close into a fierce midnight skanking session so lo-fi you would think this was recorded at studio 1 in the 1960s. on the flip side brendon moeller serves up heavy bass reductions, live melodicas, brass sections and spatially aware dub fx. the phase90 mix dissects intrusions original into a full spectrum spatial affair as deep as the sea, epic and beautiful...

laessiger oldschoolsound der an reese & santonios >rock to the beat< phase und frühe warp tracks erinnert....

reinhard voigts minimaltechno ist so klar wie ein gebirgsbach, so unklöppelig wie ein diamantbohrkopf, und das mit einer gelassenheit, die wohl tut. rauher oldschool chicago house, und warps bleeptechno-phase stehen dem neuen voigt sound näher als der verstrahlter 00er-minimal

4 tracks fusing electro dancfloor tunes

for a few months already, sub static boss falko brocksieper gradually intensifies his work on the own label again. with driving minimal-beats and melodic instinctive feeling the track >slap< from the >slap/happy<-split-ep with mia evolved into a gladly played hit, and also the following >esque ep< was not just a dayfly in the worlds dj-bags. in this phase the new 2-tracker >blackbox< is now brocksiepers ultimate confession to the dancefloor - fully functional without lacking his organic, trippy branding. the track >blackbox< presents itself as a dark, impulsive techno mover, ripped open again and again by intuitively placed accents, only to remind itself of its own irresistible drive and to cultivate it over the full length. meanwhile the b-side >off the rack< is toying with the idea of chicago house groove, driven by a rebelliously grumbling bootybassline and bleepy excursions into the world of weird soundscapes. on both tracks falko brocksieper celebrates the sign stimuli of techno, delightfully modest and coupled with his signature bubbly, sculptural sound.

brommage dub is jesper dahlbäck and jean louis huhta.the two has recorded music together under this pseudonym since the mid 90s when the first releases came out on svek. in fact this year would be a perfect 10 year anniversary for this duo. this is the first release on their own imprint bromma, which is a part of stockholm 5 km west of the city. this was the home for jean louis during the early years of their produciton phase and which gave the duo their name. carbon oxide is a gas which was produced in the factory where jean louis huhtas studio now resides

four early lowtec tracks taken from the 1997 out to lunch 002

professioneller cd & mp3 player in einem handlichem format. features: xxl-jog wheel, rückwärtslauf, 20 sek. anti shock memory, fader start play, master tempo, pitch lock, großes display, filter, skid, echo, phase und vieles mehr

minimal little bit electrofied techhouse mover for the floor

classic back stock

nice aquatic 6 track tribute ep composed by andrea merlini in memory of drexiya s james stinson

excellent spacin detroit-ish soundscapes on the new delsin by quince !!!

the country of the rising sun brings us four pressure - loaded tracks from the artist keisuke kondo and the axis tokyo - berlin goes into a further phase. 2 sides 2 views. the first two tracks are the berlin side of keisuke. pkg und eboy are massive tunes with reduced basslines and shorted spooled sounds which moves into the depth of consciousness. eboy builds it self verse whistling with the certain humor up in order to induce one to the internal. with digdag we are movin to tokyo a tool for every ekg which breathes with the pushing pulling sounds and however with the certainty lofi presenting the living digital time. downtown tokyo becomes conscious with the track zoomin – the tarmac_the_humans_the jungle. driving whipping with the trigger like spoiled pitch which pushes one through the masses. bleeps and freaks simple technoid minimal reduced

underworld & 3 phase remixes

this promising single has already become the soundtrack of a tv commercial by a well known car brand and features an unmistakable blend of electromagnetic waves phase sounds merge perfectly with the old fashioned bass guitar played by the talented gabriele salvador and generate a unique musical contrast the track has such a power that it is easy to understand why volkswagen chose it for the launch of its fox this electro/house track will include three remix all of them feature a powerful sound that will penetrate peoples mind and turn into sheer energy

nice grooving electro flavoured french house track for big peaktime plays a must have

der junge gefaellt mir immer immer mehr !! > zwei atemberaubend dubbige stücke die die herren von salz oder basic channel nicht haetten besser machen koennen und ein synth tool zum einleuten der - >hallo crowd, macht die augen zu und geniesst< - phase !! tip

ganz starke techno classic ep mit system 7, emmanuel top & alter ego ... da rockt die crowd. hits not hypes!!

an absulute must have piece of jacking house music this is really for all jackers (sb)

audio emotions is the next phase of labels bought to life by glenn.. combining elements of hard funked out peak time tunes, with new raw engineered soundscapes.. cari lekebusch takes it back to the glory days of fred with some drum madness in his remix..

trockener, funkiger acid. ein deeper techno trip & rockiger distortion-funk kommen von move d, 3 phase & rawell. alles andere als gewöhnlich

classic techno / acid tracks mit frühwerken von jochem paap (aka speedy j, public energy) and joey beltral (aka second phase)

excellent deeper detroit tracks //incl remixes by orlando voorn & maurice fulton

phat classic techno (dj rush !!!) & acid tracks (emmanuel top !!!)

1 supercooler, purer technotrack der ausnahmeklasse und 3 elektrohappen auf carl finlows label.

gatefold digipack cd + 24 x 36cm 2-sided poster

2nd cd album

decks tipp

2xcd compilation

the third album from molly burch on cd.

the well-respected hydergine run ranges label adds a talented phenom to its roster. san francisco dub techno artist federsen, has been making waves in the scene for over a decade now. with releases on greyscale, silent season, zeecc, and even back on thinner in 2009 among others, federsen continues to find himself on labels that can properly advocate his sound. highly influenced by the dub style recording craftsmanship and in an ultra-competitive genre, we at ranges feel that this is one to be heard that evolves the genre even further.>magnetosphere< focuses are wide-ranging on this release. from traditional inspired rhythms like in >relic< and the dub chord roots of >anyplace<, to the spatialness of >euradyce< & >vco<. the seriousness picks up a notch for the techier heads in the wicked sounds of >siricco<. we feel one of the key appeals to federsens sound on this full length is the ability for sounds to evolve organically while others dip, swell and flourish giving the tracks a great live allure. the combination of those strategies make the experience come alive for listeners. the deepness is on full display in epic tracks like the immersive >magnetic< & >l infinito<. there is certainly enough for the deep house fans in this output as well. >forms< & >cerulean< give off house elements while still firmly places itself in the dub techno sphere. we are sure you will love this release and we are very proud to bring it to you! federsen is in top form here on this long player. check it out! written and produced by chris kelly mastering: subosc studio writeup: tim humphrey

2 cd compilation

incl track & remixes from kollektiv turmstrasse, butch, robert babicz, henry saiz, tinlicker....

3 cd incl -->> (1) 76:14 / (2) chapterhouse retranslated by global communication, blood music , pentamerous metamorphosis / (3) curated singles and remixes

fourth entry in planet eÕs detroit love series comes from mirko loko.

beats in space presents th first official mix release from acclaimed dj josey rebelle.